Gullak 3 Review and Storyline:
On television, the stories of the Hindustani Middle Class have been a big success. The Hindi-speaking audience has modified the taste of house-to-house stories from ‘Hum Log’ to ‘Kahaani Ghar Ghar Ki.’ When OTT arrived, this taste changed as well. There was a seasoning of dried red chiles on the roof, and similar stories of the middle class were shown a lot on OTT in programmes like ‘Panchayat,’ ‘Yeh Meri Family,’ and ‘Gullak’.
Despite the fact that fans are anxiously anticipating the second season of the online series ‘Panchayat,’ Sony Liv has yet to respond. With five episodes, he has published the third season of his popular online series ‘Gullak.’ This time, the story has progressed beyond satirical comedy and has touched the heart of the matter. The situation has deteriorated into an emotional one. Annu Mishra has matured. The house’s obligations are also on their shoulders, although this season of the show has been lightened by his younger brother Aman Mishra’s paintings.
The Problems of Middle Class Families:
The third season of the online series ‘Gullak’ begins with Annu Mishra getting a job outside the temple and his panchayat. The desires of the lads who want to do ‘Ayyashiyan’ are also flying in the same direction after gaining a new job in the middle class. ‘Loss, gain, life, death, success, failure, method hand,’ he does not say. Durgesh Singh has written five episodes of this series based on Tulsi Baba’s phrase.
Santosh Mishra, the household’s head, is a chicken eater and a drinker. His wife, Shanti Mishra, is having the same issues as before. He has complete faith in Satyanarayan’s story to erase all impediments. Aman Mishra is enraged because, despite being the class’s top student, he is not permitted to continue his studies using his thoughts. In the midst, distant relatives bring their daughter. For a while, the story wanders aimlessly, but by the end of the day, Annu Mishra’s slippers had found their way onto her feet.
Gullak 3 A Masterpiece by the Palas:
Vidit Tripathi has edited the script and dialogues written by Durgesh Singh. Both Kalamvirs have effectively sown the narrative. The filmmaker Palash Vaswani, who has planted the crop of stories on this, has triumphed because he has effectively grasped the strings of all the characters in the story and provided them with as much leisure as they require. Many times it appears that the kite should not be cut from the surface, but the series’ actors maintain the status quo.The series’ true heroes are the writing and direction teams. Palash would have been more cautious if he had paid attention to the blunders made when making Bhopal’s STD code Muskaan Travels bus to Rudrapur, which was originally a part of Uttar Pradesh. But the series’ colour has been established up to this point, and he has kept it ornamented in this season as well, so this is his triumph.
The Glory of Annu Mishra:
The series is called after Annu Mishra and Vaibhav Raj Gupta this time in the cast. Vaibhav has displayed all of the colours of his performance from the beginning to the last episode. It’s not just the middle-class loafers this time. From mother to father, and younger brother Aman is constantly seen around, the oldest son is now in charge of the house.When the audience sees the door to the head of the house’s life coming out of his hands in the final episode of the series, the sadness that rises in his mind, which is visible on his face, the spectator’s cry barely stops. In the series, Harsh Maier alias Aman Mishra did the second number job. Harsh continues to win hearts for as long as he can in the series, despite a senior schoolgirl he meets along the road having a track on him in the next season.
Battle of Zameel and Geetanjali:
Jameel Khan and Geetanjali Kulkarni have supporting roles in the third season of the online series ‘Gullak.’ The battle between the two is still going on. They are still dealing with the crisis of operating a household. Shanti, the mistress of the home, holds the prestige of Gitanjali, much more than Jameel Khan’s character Santosh Mishra. In the role of Padosan, Sunita Rajwar has managed to work her magic once more. Although all of the actors continue to contribute their character to the performance throughout the season, Ketki Kulkarni’s affect in the role of agile is distinct in the third episode. Bade Babu was also played brilliantly by Vishwanath Chatterjee.
Gullak 3 Review and Conclusion:
The inhabitants of North India will be knocked out by all of the upheavals in the series. In Satyanarayana’s narrative, there is no Havan. The story is also only told during full moons. The conversion of a Bhopal bus to a Rudrapur bus has already been reported. At several points, the attempt to rhyme the reading dialogue with the background music fails. Without saying anything, the scene of the father’s slippers on the son’s feet transmits emotion in a tremendous way, yet despite explaining it later in the voice over, the effect continues.